The Harvest: Potatoes & Words
Posted: August 14, 2026 Filed under: Art & Healing, consciousness 1 CommentIn August, the summer vacation season peaks. Somewhere around 20.5 million people stop work in France, 18 million in Italy, approximately 3 million come to Maine, to vacation at the peak of summer. This has been a scorching hot summer both in Europe and across the United States. What better moment than this to pause and relax at the ocean?
Almost no one goes to the operating room, but I, thinking differently, seized the moment.
My summer plans most certainly did not include surgery, but one day in May the pain in my left hip was too much and so I called the orthopedic surgeon. Like a nuclear reaction, a chain of events was set in motion.
This was my second total hip replacement. The first was done during COVID, and that surgeon has since retired. I needed to choose someone new. That is one strange a la carte menu.
A friend mentioned that he had been diagnosed and cured – twice – of heavy metal poisoning, metallosis is the official term, resulting from metal-on-metal, an old school hip replacement. I confirmed that my first replacement involved a ceramic cup with titanium shaft, so there was no possible metal-on-metal in my body. The surgeon who helped my friend was, ultimately, a fine choice for me as well.
I had a meet and greet with that Doctor, and so, based upon five minutes’ conversation, made my choice.
I was given a date in mid-September, which seemed odd because I had been certain I would have the surgery in August. But then, the next day there was a cancellation, and I was offered the very much earlier date of 10 August.
At first I panicked, that felt far too soon, but within a few hours everything settled out, and it became clear that it was better to move full speed ahead, than to wait, endlessly until early autumn.
Like cogs in the modern medical machine, the surgeon’s team leaped into motion. I met with nurses, had bloodwork done, cancelled dental work and requested clearance from other doctors, began daily exercises, and signed, with Notary and Witness, my Last Will & Testament and Advanced Healthcare Directive. I rallied the home team – my children – to finish chores around the house and yard.
We harvested all of the potatoes.
There is no way I will be on hands and knees in late August and September, and so we pulled them all now: Reba, buff skin with white flesh; Red Norland, the classic “new potato;” and Russian Banana Fingerlings, that heirloom, crescent-shaped tuber we grow every year.
“All hands on deck!” I ordered, as my manicured-nail daughter grabbed the potato hoe and shovel and hopped to it.
The sun blazed hot and I reminded her, “This is your Irish heritage.”
I skipped the lecture on autochthony, from the Ancient Greek word αὐτός (autos) “self”, and χθών (chthōn) “soil.” Locavore chefs speak of terroir as the specific taste resulting from soil, climate and geography but they only get it half right. Given the human animal’s nature, the Greeks went further, asserting that the self is of that soil; place as the essence of identity.
The Irish lineage seemed concrete enough for my daughter to get the point. Perhaps I will chat about that while we grill and then eat those luscious tubers.
In the mornings we toiled in the garden, but in the afternoon I scoured the public library to assemble a reading list for the next six weeks of recovery. Of no surprise, the list is rather broad, encompassing philosophy, Indigenous authors, magical realism, and the seething anger of a deep ecologist, who was influenced by Jacob Needleman.
Letters to a Spiritual Seeker, Henry David Thoreau
Money and the Meaning of Life, Jacob Needleman
A Sense of the Cosmos, Jacob Needleman
To Hell with Culture, Herbert Read
The Way to Rainy Mountain, M. Scott Momaday
Wisdom Sits in Places, Keith H. Basso
Building: A Carpenter’s Notes on Life & the Art of Good Work, Marc Ellison
Rust Belt Boy, Paul Hertneky
Blood Orchid: an unnatural history of America, Charles Bowden
Love in the Time of Cholera, Gabriel Garcia Marquez
Common Sense for the Healing Arts: Essays by Robert M. Duggan
The harvest gathered – potatoes and words – I began to enter the silence.
A friend, an elder, sent me this advice, which I found deeply centering:
Give your body a heads up that it is happening. Do some visualization to it and travel around the inner scape with your love and gratitude. Thank the left hip for its years of service and amazing performance. Have a conversation between the left and right hip. Travel through the body with color and joy and appreciation. If there’s a way to take an hour to tune in uninterrupted, take it. Let the anatomy be informed. Cast a love circle around the medical team. Enter the theatre with awe, wonder, curiosity, grace and welcome. Love to you is coming from many. Ride the ride, brother. …
As I learned from my Mother, “We are not human beings having a spiritual experience. We are spiritual beings having a human experience.”
This week’s events brought that concept into a simple clarity. It allowed me to prepare both to go under the knife, and to return through the light. On the other side of surgery, now I surrender to this healing, which is a gift.
________________________________
Red Cherry, Black Crow
Posted: July 10, 2026 Filed under: Art & Healing, Chronicles of a First Time Parent, Farming off the Farm Leave a commentThe 7th grade has officially been completed. This week Our Aristotle, a State of Maine certified teacher, completed his annual assessment which I delivered to the School Department.
The interim Superintendent had quit, having been replaced by an Interim-Interim Superintendent. A new Superintendent reportedly has been hired and will begin later this month. They never confirm receipt; I am like a paperboy throwing news into the void, but regardless, we go forward. To reach their office – their sanctus sanctorum – I had to go through two sets of high security doors, that required someone to buzz me in; if our homeschool is relational the School Department seems transactional.
It is summertime. These days the living is not so easy, but the pace here has slowed. We have been working the garden and spreading straw to suppress weeds. Potatoes are thriving. Pole beans snake up the trellis. Tomatoes form on the vine. Coneflowers shout to the sky. Lavender abounds with bees. In the kitchen we have begun making pickles.
Each summer we plant one cucumber seedling, of the pickling varieties, which provides more than we can keep up with. As the roots go down, the shoots sprout up, flowering and bringing our bounty.
Several years ago I worked at the Chebeague Island Inn. The chef had a stellar recipe for Bread-n-Butter pickles, which hotel quantity had to be scaled down for a family of four. This one is a keeper, to be passed down generations.
Slice 4 cucumbers at about 1/4″ thickness, then in a sauce pan combine:
- 1/2 large, onion, sliced thin
- 1T + 2t salt, kosher
- 1/2 C + 1t white vinegar
- 1/4 C + 2T + 2t apple cider vinegar
- 3/4 C + 2T + 2t sugar
- 2 1/2 t mustard seed
- 1/2 t red chili flakes
- 1/4t + celery seed
- 1 cinnamon stick
- 3 allspice berries
- 3 whole cloves
- Pinch turmeric
- 2 1/2 dried chilis
Bring all to a boil, let it cool. Into a one quart Mason jar add the sliced cukes, then pour in the brine. These BnB pickles will keep in the fridge for several weeks.
In other news, the sour cherries have been abundant, more than we can pick, which inspired this haiku:
Red cherries, Black crows
A murder, in our orchard
All sour, no sweet









Hanging
Posted: June 26, 2026 Filed under: Art & Healing, Chronicles of a First Time Parent 2 Comments“You can get used to hanging, if you have to,” my father would say so often, when I was a boy. I grew up in the era of free love, but my Father was of a different era, of the Silent Generation.
He had grown up in Kentucky, in an extended family generations of whom worked on the railroad, as Laborers, Shop Foremen, Section Supervisor, although his Father had risen to be an Engineer. The saying is “beneath every railroad tie lies a dead Irishman” and I can only imagine how hard those times must have been. My Father was silent on that.
My Father’s oldest brother, Danny, broke the mold, at the age of 26, when he became the Business Manager of the Calumet Farm, in the thoroughbred bluegrass region. During the championship years when the legendary Whirlaway ran like the wind, Danny managed the operation, winning the Triple Crown – the Kentucky Derby, Preakness Stakes, and Belmont Stakes – in 1941. While Danny worked, my Father, age 13 (my son’s age now), would idle away the hours, reading under the Bur Oak, Blue Ash, or Kentucky Coffeetrees towering overhead; an idyllic, wildly exciting, and defining era at the iconic racing stable.
After the bombing of Pearl Harbor, in December of 1941, Danny enlisted in the United States Army Air Corp. Old enough not to go, he volunteered, such was his Code of Honor. Eventually he was sent to Iwo Jima where he was killed, stabbed while he slept, on March 26, 1945. Japanese kamikazes were hiding on the island, and struck in the dead of night, when the Marines’ guard was down.
The US Army Messengers drove to the family’s house, then walked to the front porch to deliver the news. My Father, home alone, would have greeted them, his world crushing down upon him, his world slipping away. Danny had been like a father to him, they shared a very close bond, and this news must have been devastating. Which he received in solitude, standing on the front porch, in Paris, Kentucky.
“You can get used to hanging, if you have to,” my Father would say so often, but I could not fathom the generations of pain that lay buried behind those words. My Father never spoke of Danny.
Even during the “make love, not war,” era when I came of age, the ethos still, voiced by every male authority figure – coaches, Priests and teachers – was “no pain, no gain! Play through the pain!” My generation’s masculinity was forged in a cauldron not so very different from my Father; among alpha Boomers, dominance seems on steroids these days.
For countless generations a set of unwritten, unspoken rules have largely defined masculinity, with the emphasis upon toughness, stoicism and emotional suppression. Referred to as the “Boy Code” its core tenets are:
- The Sturdy Oak: be not vulnerable and project strength
- Give ‘em Hell: aggressive, competitive risk taking is the key to success
- The Big Wheel: the alpha male, driven to dominate, and achieve status and power
- No Sissy Stuff: thou shalt not show emotion, nor any feminine traits
- The Cowboy: self-reliance needs no help
Increasingly I am convinced that this Code, and its dominant alpha males are the dinosaurs, flailing as their “no pain, no gain” and “money is the measure of the man” ethos begins to crack, fail, and fall. The “Copernican Moment” of multi-dimensional consciousness is coming.
The futurist Alvin Toffler famously argued that the public educational system was designed during the Industrial Revolution, training obedient, punctual workers for assembly lines, rather than creative, independent thinkers. The industrial model used three symbols: the bell, the authoritarian teacher, and repetitive work. The bell taught when to begin and to end, like a factory shift. The hierarchical top-down model of authority taught obedience, not to question authority. Straight rows, grouped by age, rote memorization taught to the standardized test, molded children to an imposed order. Such was my generation’s educational model. I vividly recall in my 8th grade, the smell of mimeographed math worksheets, a teacher who smelled of whiskey endlessly passing the damp purple pages down the straight line of desks, her worksheets replacing engagement with rote repetition.
Toffler famously said, “The illiterate of the 21st century will not be those who cannot read or write, but those who cannot learn, unlearn, and relearn.” As to what this “continual learning and relearning” means I turned for advice to Our Aristotle, who provides the annual assessment for my son’s homeschooling.
Our Aristotle works on the front lines of the local public school system. Over six years, he has worked in three different local school districts, teaching all ages from K through middle school. He values connection, and holds the high distinction of being fired 30-minutes before the end of the school year, for refusing – at the order of an authoritarian Assistant Principal – to abandon his students on the last day, their final minutes, refusing to change classes to be mere marshall for a different class. Our Aristotle stood his ground, and so the Assistant Principal fired him, but gained nothing.
At his most recent position Our Aristotle was chastised for being not stern enough, not “cracking the whip,” being too playful. He values connection, empathy and relationship, but the administration wants to impose order, strict rules, shaming.
In his first teaching position he was a “Special Needs Ed Tech,” lowest on the totem pole, which also meant closest to the front line; working daily with children on the spectrum of ADHD, ADD, Obsessive-Compulsive Disorder and Oppositional Defiant Disorder. His mantra was:
Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, …to me.
He learned patience. He taught connection. He got on the floor and played. He saw, and sees, the educational system as a broken and outdated model, teaching to the test, to metrics designed by accountants and economists, to inculcate ever-increasing efficiency from the next generation of worker bees; pliant cogs in the industrial machine.
His approach is relational, emotional, about belonging, to which he explains, “…students will not care about things unless they seem relevant to their lives. Like learning about probability via poker or … about elements of the periodic table alongside welding. School should provide opportunities for students to see how their learning applies to their reality, and it can also be used to connect students with their communities. That’s impossible when they feel that school itself is alien to their lives, and it feels alien because they have to learn about concepts and ideas in a vacuum in order to score well on assessments. All that knowledge goes out the window post test since it isn’t grounded in anything real.”
Our Aristotle’s approach is grounded, historically, in the writings of Lev Vygotsky, from the 1930s, whose sociocultural theory emphasized the role of social interaction and culture in learning. Vygotsky taught that the “More Knowledgeable Other” guides the learner forward, along their path. The role of the Other is to observe and find the optimal spot where the young student can proceed independently, while receiving guidance and encouragement from the avuncular Other. Not an authoritarian dominant master, but one offering encouragement, a sense of belonging; agency in a cooperative affirming way.
In terms of my family, Great Uncle Danny – stabbed as he slept on the black rocks of Iwo Jima – was the “More Knowledgeable Other” shaping my Father’s childhood.
The old guard of stoic accountability and testing continues to hold sway. Margaret Spellings, a secretary of education when the No Child Left Behind Act was signed, advocates to restore “the muscle of accountability, the muscle of assessment.”
“The Nation’s Report Card” shows that 8th-grade reading scores on national assessments are currently at their lowest point since 1990. But metrics of failing accountability are vastly different from a student flourishing. Danny was there for my Father, but many children today – boys especially – lack the “More Knowledgeable Other.”
The Center for Disease Control data shows that 40 percent of high school students report persistent feelings of sadness or hopelessness. One in five had seriously considered suicide; nearly one in 10 had attempted it. 23% of students were chronically absent in the 2024-25 school year, far above the pre-pandemic rate of 15%. The SNF Agora Institute at Johns Hopkins found that 40 percent of Zoomers believe political violence can be justified, compared with 11 percent of Boomers.
Science and history support the fact that life and learning are cooperative. Suzanne Simard is the groundbreaking forestry scientist whose Mother Tree Project teaches forests are deeply interconnected systems, not just Darwinian collections of individual trees. Yuval Noah Harari is a historian trained at Oxford University, whose books have sold forty-five million copies in sixty-five languages. His core thesis is simply that cooperation is the key to human societies; our ability to create collective stories is unique among animals thereby guiding diverse humans to cooperate flexibly.
When compassion becomes key, then “spare the rod and spoil the child” will no longer pertain. The change from the “Cowboy Big Wheel” to a cooperative culture will be a long slow transition, its realization not preordained. Certainly not in my lifetime, maybe not even in my son’s, but a cooperative nurturing culture is a goal worthy of pursuit.
I am homeschooling my son. My task is to prepare him for his future, not my past; I can be as a hinge, this moment a fulcrum, my role as “Knowledgeable Other” to provide my son with a grounded sense of belonging, in a culture when competition gives way to cooperation, to continual learning and relearning, to a shared flourishing.
____________________________








Eugenius
Posted: March 27, 2026 Filed under: Art & Healing, Child Centered Activities 4 CommentsThe sine qua non of my childhood, Eugenius and I grew up together in the era when Steve McQueen was a motorcycle riding bad-boy grey-sweatshirt-wearing prisoner-of-war locked in the “Cooler” of a Nazi POW camp. The sweatshirt was plain grey, no logo; the 1960s an era long before branding became “merch.”
Waking at dawn, Eugenius and I would eat non-sugared cold cereal in 2% white milk, lace up our black Stride Rite sneakers, pull grey sweatshirts over our head, then dash off, running until well past dark, endlessly in the woods and along the creek of our childhood home. Our mates were the Aiston brothers – Chris and Kevin – who went barefoot, even in winter. The youngest of 10 children, plus more than 20 cats, Rudy the Rooster and his flock of hens, and a Great Dane named Mukhuba, a name of African origin which means “strength or resilience;” life at the Aistons was at the vanguard of the counter culture. Our home was centrist-conservative, but we were allowed to run free, so long as we were home for dinner, hands scrubbed and seated at the table at 6pm, sharp.
We were joined at the hip. Touched by the muse, he learned the piano, so I taught myself the drums. Eventually I went to Art School and drummed with a Ghanian Tribesman Master Drummer, then dropped out, so when our Father, two months later, dropped dead suddenly, at age 52, I moved north to Milwaukee to run with Eugenius again.
He was in college. Following the centrist-conservative path, he studied Business Administration – Marketing at Marquette University. Following his heart, he rode the bus across town to study jazz theory at the Milwaukee Conservatory of Music.
At Marquette, I audited a Philosophy of Aesthetics class, read James Joyce’s “Ulysses” with a Knight of Malta (from West Allis, WI), discussed theology with a radical Benedictine monk, who taught freedom, simplicity and the enjoyment of sensory creation, “Desire is not sin. Desire is love waiting to happen.”
Eugenius’ jazz teacher was a man named King, a pianist-educator-mentor regaled as “avuncular and oracular.” King, who co-founded the degree-granting jazz studies program at the Conservatory, was widely known as a child-prodigy who became a harmonic genius. He grew up in Southern Illinois, received a Masters in Music in Nashville, Tennessee, then, during Jim Crow, emerged from the tradition of Earl “Father” Hines, bridging early jazz with bebop. A traveling jazzman, by night the King would get the white WASPs dancing, then slept in his car; no room at the Inn, the era of “separate but equal.” As if.
Seated beside the 5 packs-per-day chain-smoking King, Eugenius drank of the mysteries of harmonic theory, how to build chords, the conceptualization of “common tones,” the Circle of Fifths: the inner workings of the Muse and her music. Mante Ellis, a jazz guitarist and cofounder of that jazz program, remembers the King this way:
[He] would teach you all about everything, why it works like that. He was a monster wasn’t he?… he’d pick like F# lydian or something and make a kid go, ok, “F#”, you know, and he’d go through it and when you’d stumble he’d laugh. And he’d go up to you, because he wanted everyone to know everything. But the line he kept coming back to was, “The human mind tolerates what gives it pleasure, and what gives it pleasure is what it can do without thinking.”
And when he taught, he taught thorough. It wasn’t just a scale, he taught you why the scale, and why each note in that scale became a part of a family and the whole world was harmonious. Each tone in every scale is harmonious with itself. That’s why, you know… I thought about that. You go back and little simple shit that he taught, if you know that, man, it’s easier at the top.
What is sound? Well, sounds are vibrations that are controlled. If he asked anything about it, he’d ask what does 440 mean? 440 vibrations per second. Anything that vibrates is going to produce that sound. And what he meant by harmonious, you got even numbers and uneven numbers of vibrations. The even numbers won’t conflict. Uneven numbers and even numbers (hits fists together). Common sense. So, you studied with him, man you learned everything. The overtone series and all of that shit. Aw, man, he taught me all of that shit.
Eugenius as pupil, the King’s parting advice was, “You need to go break your heart. Then you will return to what you love.” In Milwaukee, we were kids “chasing the voodoo down” but as life moves on, so did we.
After Milwaukee, I studied Classical Literatures and Languages, while Eugenius moved to Kansas, a traveling salesmen hawking medical supplies. He was accepted into the Kellogg School of Business, Northwestern University’s world-ranking MBA program, but on the seventh day, walked into the legendary Dean Donald P. Jacobs’ office and announced, “I am going to drop out.” “To do what?” “To study classical piano,” Eugenius replied. Caught off guard, the imperious Dean Jacobs said, “No one has ever told me that. I wish you well.”
Having dropped out, west went the young Eugenius, and I rode along, his small Honda pulling a U-Haul trailer. We crossed the Rocky Mountains, the New Mexico desert by night, our destination the mile-high desert plains of Prescott Valley, Arizona. He found a studio apartment, bought a Steinway B, then slept under it because there was no room for a bed. He followed his heart.
Eventually I too moved west, lived with him again but then moved to Hootenanny Holler, Arizona, on my vision quest to create a currency based upon people’s ability to communicate. That was 1993, when the internet was young, a wild future was nascent. Data fuels the internet, and peoples’ communicating drives the data. What I saw was upwards of $300 Billion per year in profits, which if owned by the community, rather than capitalists, could become a vital force for the common good. I flew too close to the sun, crashed and burned. As the King had said, “You need to go break your heart. Then you will return to what you love.”
Decades have passed. I picked myself up, moved to Maine, worked as a carpenter and public art fabricator, but now homeschool my son at the “dawn of the post literate age.” I am increasingly convinced that rational self interest is self-limiting; that world culture is reaching a Copernican moment, when the mere rational needs to expand and embrace the intuitive, the heart, and its underlying motivations rather than the mind and its ego. So who better to call than Eugenius, to co-create a class “Math as Music: the Liminal Edge of the Rational and Intuitive.”
In the first class, Eugenius introduced the mechanics of the piano: 88 keys at 200 pounds of pressure per string, so >220 strings = 18 tons of stress, approximately 163.64 pounds of pressure per string. The lowest note, A0, needs a string 6’8” while the highest note, C8, is 1”; the physics of sound – discovered by Pythagorus, the Greek philosopher – states pitch is inversely proportional to a string’s length.
My son knows that when a vehicle passes, it emits a sound; not the engine noise, but the “whooshing” sound of displacement, an object moving through space. Pythagorus also knew that. So when Eugenius taught about harmonic overtones, the infinite sequence of harmonic pitches whose frequency is an integer multiple of any fundamental, originating tone, it was no stretch to talk about the “Music of the Spheres.”
Pythagorus intuited that the “whooshing” sound of celestial bodies – the sun, moon, and planets – produce a sound proportional to their motion, speed and size; Pythagorus saw perfect mathematical ratios creating a cosmic celestial harmony bathing the universe. Human life on Planet Earth seems chaotic, but the Music of the Spheres posits the cosmos is divinely ordered and harmonic.
It is only a hop, skip and jump from Pythagorus to Johannes Kepler’s Third Law of Planetary Motion, known as the “law of harmonies:” the square of a planet’s orbital period is directly proportional to the cube of the average distance from the Sun. Simply put, planets further from the sun take longer to orbit the sun. Kepler, strongly influenced by Pythagorus, was both a mathematician and a musical theorist, and his master work is known as Harmonice Mundi (The Harmony of the World).
So it this math or is it music? Is it jazz, or classical? Is life both-and rather than either-or? To an engineer coincidence is not correlation, but to a jazz musician coincidence can be inspiration. We are chasing that voodoo down. “Math as Music” is a playful exploration of pattern recognition, which is fundamental to intelligence.
Eugenius put it this way, “Curiosity plus repetition creates discovery and awareness. And the LOVE of LIFE instills a wonder and awe to understand the whole jiggling universe of which we are a quantum particle.”
__________________________
late spring, buds begin to push up…


















Love Languages
Posted: February 20, 2026 Filed under: Art & Healing, Child Centered Activities, consciousness | Tags: mental health 1 CommentGreek has 8 distinct words for love. Sanskrit has 96. English, 1.
In South Portland Public Schools over 35 different languages are spoken, with the primary languages being Arabic, French, Kinyarwanda/Kirundi, Lingala, Portuguese, Somali, Spanish and English. Love here is most frequently spoken as Amour, حب, Urukundo, Bolingo, Amor, Jacayl, Amor and αγάπη. Adding in Sanskrit and Hindi we have प्रेम, प्यार, Mohabbat, and स्नेह. All saying the same, merely different vowels and consonants.
Valentines Day presented an opportunity to underscore the many languages of love through a “Postcards from the Heart” art-making experiential held at the South Portland Public Library. The curly haired Goddess with whom I live developed the idea with colleagues and then served as the leader for this life-affirming response to the masked jackals rampaging our communities locally and nationally. Love is an antidote to fear, or as the Governor of Illinois said this week, “love is the light that gets you through a long night.”
The small minded Christian Nationalists argue that English is the one and only “pure” language of these United States. But we “the tired, the poor, the huddled masses, yearning to breathe free” know the truth is far more varied, nuanced and beautifully complex. The Postcards quietly acknowledged this, and gave people a chance to express themselves in a non-violent and compassionate way.
When authoritarian anger rips our communities asunder, when protests rightfully organize, and food drives bring meals to those unable to go to work or school, art-making might seem a trivial pursuit, but its healing power is unquestioned and clinically proven. The process of non-verbal expression creates a safe space to explore feelings, especially for trauma survivors. The act of creation triggers the release of “feel good” chemical messengers – dopamine and serotonin – which are uplifting and promote resilience. Externalizing our emotions offers perspective and empowers the maker.
Open to the public, 27 people participated with ages ranging from elementary school age children to elderly. One group of 15 from a women’s shelter wanted to attend but that would have overwhelmed the space.
I participated in one 45-minute session, gluing images of the Moon cycle, cutouts from old picture books, and “love” from 10 different languages. 7 other women participated, one of whom was older and wore delightfully eccentric glasses, while the other 6 were young women from a “sober house.” Everyone was engaged, focused silently on their work. At the end we walked about looking at each others’ creations, all of which were as varied and diverse as the forms and expressions of love. There was a deep sense of connection in a non-verbal form.
A friend, who works with immigrant women, strongly wanted to invite those women but feared they would not want to risk coming out in public. The idea has been raised about creating art-making kits that can be delivered to homebound people so that they also might give voice to their love, in any language. A local group, Maine Needs, appears to be doing something along these lines.
The City of South Portland has a wellness program for its staff, and a librarian pondered whether art-therapy could be engaged for them. The idea is scalable and replicable, and the need for healing only grows in these times of Mammon and the cult of personality.




the Why Cheap Art? manifesto
Posted: January 23, 2026 Filed under: Art & Healing, What is an Art Farm | Tags: bread & puppet theatre Leave a commentMcSweeney’s Manifesto contains 25 manifestos, two of which were penned in the hamlet of Glover, Vermont. Statistically that is a “non-zero probability” meaning that is incredibly unlikely to occur. And yet Glover, Vermont ranks among the titans of 20th century Manifestos!
Clare Dolan set down “The First Manifesto of the Museum of Everyday Life” which is (a) a theoretical museum, (b) celebrating “…mundanity, and the mysterious delight embedded in the banal but beloved objects we touch every day…the secret, ordinary objects that make up the vocabulary of common lives!” (c) heralds “its mission of glorious obscurity!” while (d) located in Glover, of the Northeast Kingdom of Vermont.
The Bread & Puppet Theatre was founded in 1963 on Manhattan’s Lower East Side kingdom of overcrowded tenements, that housed the dense wave of immigrants during the late 19th and early 20th century. The puppeteers embraced sculpture, music, dance and language as well as baking sourdough bread to share with (to break bread with) their audience. In 1974 the company moved to a 140-year old hay barn in Glover. In 1984 the founder, Peter Schumann wrote the “Why Cheap Art?” manifesto.
Shortly after moving to Maine, I was given a copy of the manifesto, which hangs prominently in our kitchen. For this week, I present the manifesto in its full graphic glory.
Manifesto #1
Posted: January 16, 2026 Filed under: Art & Healing, consciousness | Tags: McSweeneys, Zoe Leonard 1 CommentThe history of the 20th century was declared largely by manifesto: The Manifesto of Futurism 1909; Dada Manifesto 1918; Manifesto of Surrealism 1924; John Cage’s Manifesto 1952; The Russell-Einstein Manifesto 1955; Second Declaration of Havana by Fidel Castro 1962; The Ten-Point Program of Huey Newton (Black Panthers) 1966; The Gay Manifesto 1970.
Derived from the Latin manifestus which means “plainly apprehensible, clear, evident” by the 1640s in the Italian it had come to mean “public declaration explaining reasons or motives.” At its root it is derived from manus which means “hand” and a manifesto arguably is a physical object – words on paper – easily grasped or held, say, nailed upon the doors of a 16th century church or plastered on store fronts or tenement homes of 20th century inner cities.
McSweeney is a nonprofit publishing house founded in 1998 by Dave Eggers. To honor its 25th anniversary, the house published Manifesto, a hard bound compendium of the 20th century as declared by bold forward-thinking authors. The book was given to me over the holidays, a cherished gift, which I am devouring slowly.
The Introduction states, “[Manifestos] are often strange, ill-considered, and regrettable. They are just as often brilliant and pivotal in changing government, art, and the direction of the human animal. But always manifestos are passionate, always they command attention and use language for perhaps its most urgent purpose – the rattling of complacent minds.”
The books presents twenty-five manifestos. “I want a president,” written in 1992 by Zoe Leonard, is strikingly powerful and refreshing, especially in these times where power is exercised as domination, in a culture increasingly split between the Have Much and the Have Nots.
“I want a dyke for president. I want a person with aids for president and I want a fag for vice president and I want someone with no health insurance and I want someone who grew up in a place where the earth is so saturated with toxic waste that they didn’t have a choice about getting leukemia. I want a president that had an abortion at sixteen and I want a candidate who isn’t the lesser of two evils and I want a president who lost their last lover to aids, who still sees that in their eyes every time they lay down to rest, who held their lover in their arms and knew they were dying. I want a president with no air conditioning, a president who has stood on line at the clinic, at the dmv, at the welfare office and has been unemployed and laid off and sexually harrassed and gaybashed and deported. I want someone who spent the night in the tombs and had a cross burned on their lawn and survived rape. I want someone who has been in love and been hurt, who respects sex, who has made mistakes and learned from them. I want a Black woman for president. I want someone with bad teeth and an attitude, someone who has eaten that nasty hospital food, someone who crossdresses and has done drugs and been in therapy. I want someone who has committed civil disobedience. And I want to know why this isn’t possible. I want to know why we started learning somewhere down the line that a president is always a clown: always a John and never a hooker. Always a boss and never a worker, always a liar, always a thief and never caught.”
In Memoriam
Posted: January 9, 2026 Filed under: Art & Healing, consciousness 3 CommentsRemembering and honoring Douglas Lee Woodhouse
July 9, 1964 born, died January 6, 2025
rest in peace, Brother.
Oneness
Posted: January 1, 2026 Filed under: Art & Healing, Chronicles of a First Time Parent, consciousness, What is an Art Farm | Tags: anagarika govinda, consciousness, philosophy, science, spirituality, Thomas berry 2 CommentsHaving built a whale, we decided to make a movie on the topic “all life is one.”
Having finished the short film, I sought funds from the Maine Arts Commission.
Having to substantiate my body of work as an artist, I referenced “An Art Farm.”
Whereupon, I realized our art farm had been mostly inactive since 2015 and so on 31 March 2024 I wrote “Crossing the Rubicon” about delivering the Whale north to the Wabanaki nation. I did not win the grant, but I did continue to write, and for 94 continuous weeks now I have posted short essays.
In a sense these are weekly postcards to my Mother, a chance to share thoughts that otherwise would not come up in our occasional phone conversations. More importantly, they allow me to mine thoughts that arise at 2am, to chase down loose threads and weave them, as if into tapestries, at best like those of the Renaissance rich in detail and color, telling stories of this strange and troubling moment in time.
An overarching theme seems to be Spiritual Ecology, a field of inquiry of which I only recently became aware. Rudolf Steiner is considered a visionary, having described a “co-evolution of spirituality and nature.” I learned of Steiner back in my Chicago days from a Gaia-centric friend at the vanguard. Pierre Teilhard de Chardin, also considered a founder, almost one century ago, wrote of a ”consciousness of the divinity within every particle of life, even the most dense material.” In “The Phenomenon of Man” he foresaw that “Science, philosophy and religion are bound to converge as they draw nearer to the whole.”
My Mother actively discussed de Chardin in her college days, and within the social circle of her childhood in Clifton of the Queen City, Cincinnati, Ohio, as well as at our dinner table. Father Sullivan, elder of Holy Cross Parish, once described my Mother as a “pantheist;” I suspect he meant that as a criticism but which she rightly took as a compliment! Perhaps, what the Father actually meant was panentheist (God in all things) not pantheist (God is all things), but regardless, since my childhood the tenets of Spiritual Ecology have been laid down as plain common sense.
On a family road trip west to the Grand Tetons, my Mother handed me a copy of John Muir’s biography. I was enthralled, in the backseat, while crossing the endless great plains. Decades ago I read Thomas Berry, also considered at the vanguard, who emphasized “returning to a sense of wonder and reverence for the natural world.” More than my share of Thoreau and Wendell Berry have I read, as well as David Abrams’ “The Spell of the Sensuous.” Joanna Macy has been celebrated among the Wise Women here at the art farm, while Emergence magazine is on my subscription list, the product of Emmanuel Vaughan-Lee, a Sufi trained multi-media maven on topics of a collective evolutionary expansion toward oneness.
But what would be this consciousness of oneness? The Renaissance is an historic example of a shift in consciousness, the “awakening” or “rebirth” of Europe, away from the Church-dominated Medieval era to embrace humanism, scientific inquiry, individualism, a flourishing of arts and culture. Rene Descartes, living at the end of the Renaissance, is considered foundational to modernity, his “cogito, ergo sum” defining the thinking rational self. But “cogito” is only one part of the whole self, and it can easily fall into the binary, mono-dimensional thinking of either-or, rather than both-and.
Newton’s Laws of Physics state an object is either at rest or in motion, but quantum mechanics allows an object to inhabit two states at once. Our logic has lead to AI which is a massive accomplishment, but it might either destroy us or bring far-reaching benefits. The “us versus them” is endlessly argued by politicians, the strongman’s lever using fear to divide and conquer. A spiritual ecology pursued only through the rational seems destined to failure. An expansive and inclusive approach is needed to embrace the breadth, depth and interconnectedness of both the natural world and ourselves.
“Creative Meditation and Multi-Dimensional Consciousness,” by Lama Anagarika Govinda, is insightful toward this life-affirming goal. He describes the “one-dimensional logic which…cuts the world apart with the knife of its ‘Either-Or,’” and then introduces “…a new way of thinking, an extended multi-dimensional logic which is as different from the classical Aristotelian logic as Euclidian geometry is from Einstein’s theory of relativity.” He presents this using the coordinates of an x-y axis. “If we regard the horizontal as the direction of our time-space development (unfolding), then the vertical is the direction of our going within, toward the universal center of our being and thus the realization of the timeless presence of all potentialities of existence in the organic structure of the whole of the living universe. This is what the poets call the ‘eternity of the moment’ which can be experienced in the state of complete inwardness…such as happens during meditation and creative inspiration.”
It is no small undertaking, a 21st century renaissance awakening to multi-dimensional consciousness not among the few, but ultimately we, the people, of the planet. Small-minded politicians and capitalists will pursue their goals of domination, and so this seems a necessary path out of the madness, deeper within. It is beyond the scope of one short essay to speak to such fullness, but this seems a direction for our art farm to pursue in the new year.
…and here is a link to the short film on the topic that we are part of the ecosystem, that all life is one, which set this ship – which is an art farm – to sail on this oceanic odyssey:
https://www.picdrop.com/claytonsimoncic/C39UK57ncx
The short film was produced with Anna Dibble. Clayton Simoncic was the photographer and editor.
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Since it is written “the last shall be first,” I shall end this post and honor the Benham Family tradition, that good things come to those who begin a new month, on the first day with the first words: “Rabbit, Rabbit.”
May good things come to all people in the new year.
Well dressed, on the Porch
Posted: November 28, 2025 Filed under: Art & Healing, consciousness, What is an Art Farm 1 CommentIn early September, during our Language Arts class, two young Christian women came to the door, dressed in their “Sunday-go-to-meeting clothes.” To avoid disruption, I hopped up to answer the door.
They politely asked, “We are doing volunteer work and wonder if you would like to hear some good news from the Bible?” I replied, “That is worthy but I am not interested now. I am homeschooling my son. But I ask you this question: what is the true understanding, the meaning of John 14:12?” They thoughtfully began to open their Bibles and I stopped them, saying “Do not answer this now but consider this as you go.”
Two months passed and recently one of the women returned with her father (younger than me), again dressed in their best clothes. The daughter wore the fashionable full length “Little House on the Prairie” style dress with burgundy flats. The father wore a tad-too-bright blue suit, crisply starched white shirt and a natty woven – not silk – tie. They were radiant in their wholesome goodness.
Standing on the front porch, we discussed grammar of the Bible passage: “Verily, verily, I say unto you, He that believeth on me, the works that I do shall he do also; and greater works than these shall he do; because I go unto my Father.”
I explained that “…because I go unto my Father…” is a subordinate clause. They did not see it that way. But grammatically it simply is subordinate to the independent clause, “…the works that I do he shall do also; and greater works than these shall he do…”. I focused on the verb “do” which they exhaustively counseled meant “to preach.” I countered that it referred to actions such as “raise the dead, walk on water, multiply loaves and fishes.” Flabbergasted, he laughed. Who ever heard of such a thing?!!
He opened his tablet and read from the prepared script that missionaries having gone to the ends of the earth – traveling farther than that street preacher ever could – and having reached countless millions of people means the “preaching” is “greater than.” I respectfully averred that the inverted sentence structure is complex; the object “greater works than these” comes first while the subject “he” comes last. But both the demonstrative pronoun “these” and its antecedent “works” are plural so more than just preaching is going on here.
I discussed Isaac Newton – paragon of the rational scientific mind – who also was an alchemist. He (the father) had never heard of alchemy. His daughter remained silent. We were heading into uncharted territory but my point was the deeper insight is needed, not the narrow rational. In fact, alchemy arguably is a symbolic language of higher consciousness, “base metals” turned into gold a perfect metaphor during the time when alchemy was considered heresy, punishable by death. Higher consciousness clearly does threaten the orthodox, and the street preacher – who was an avatar of consciousness – is revered not because he preached but because of what he did, which includes – as the story is told – raising the dead, walking on water, feeding the masses. Later that evening I asked my Daughter her thoughts and she readily said “works means accomplishments.” Preaching may be one of the accomplishments but “greater than” clearly speaks to something far more substantial.
We spoke about translations – from the Aramaic, to the Greek into Latin and now English; multiple languages over millennia – but he said “God guides all the translations” thus “the word is sacred.” An interesting point, but which renders the grammar moot. Even if the word is sacred, our understanding is not automatic. We need to think for ourselves, with grammar the means to insight; “these” is plural.
We briefly discussed Buddhism, which is to say alternate paths to wisdom. “All roads lead to Rome” is the saying but they held firm in their belief that the “King of kings and Lord of lords” reigns supreme.
Alas, our porch chat came to an end. They asked if they could return and I said, “Of course.”












