The Art Ark
Posted: December 13, 2024 Filed under: Child Centered Activities, Chronicles of a First Time Parent, Portfolio - David's work, What is an Art Farm | Tags: animals, arctic, climate-change, consciousness, Friends School of Portland, poetry, polar bears, spirituality 1 CommentPreviously I have told the story of the Sea Monsters, which exhibit came to its end. The monsters were put up for adoption, and then a Friend, a lifelong artist who volunteered for decades in inner city schools, exclaimed, “You need to save the Sea Monsters!!!” She donated funds to cover the costs, which became the catalyst and the adoptions have begun. We delivered Peter the Polar Bear on Wednesday to a full school assembly at the Friends School of Portland.
Historians say Cleopatra’s arrival at the port city of Tarsus to meet Mark Antony, 41 BC, was the most splendid entrance in history. Plutarch described it as “Aphrodite had come to make merry with Dionysus for the good of Asia.” William Shakespeare used a translation of Plutarch to write his tragedy Antony and Cleopatra. Hollywood, 1963, created its blockbuster “Cleopatra,” forever casting Elizabeth Taylor in everyman’s memories. But in the eyes of a Pre-K cherub at the Friends School, the arrival of Peter the Polar Bear must have been every bit as grand. I share here the text of our presentation.
DAVID: I am pleased to introduce Peter the Polar Bear, one of seven Sea Monsters from the Carousel Cosmos, a public art exhibit that had been on display on Portland’s Western Promenade. The exhibit came to an end, and the monsters are now being adopted all around the state. Peter has come to live in the Pre-K room.
Dear Pre-K children, I want you to know that Peter is sturdy and stout. He is a bench.
- You can sit on his back and eat a snack
- You could lie down and take a nap
- If your teacher allowed, you could do a handstand on his head
- Or on your hands and knees, crawl and say “thank you and please…”
- listen carefully, perhaps he will reply…
- Peter is a gentle old Bear.
DAVID: Chris Miller is the polymath maker, the creator of the Carousel Cosmos. He will give a short presentation. But first, everyone please take out your bumblebee thinking caps…tie them on tightly…we will cross pollinate ideas, and with the help of the 8th grade students we will tell a story about circles and sharing.
How does a carousel turn?
STUDENTS: IN A CIRCLE
DAVID: How do planets in outer space move?
STUDENTS: IN A CIRCLE
DAVID: When Quakers gather to meet, how do we sit?
STUDENTS: IN A CIRCLE
DAVID: Peter is made of the wood of ash trees, locally grown. Ash trees grow in the woods here at the Friends School property. The forest teaches us of the circle of life:
STUDENT #1: “Biodiversity” teaches us that the greater the number of species, the more healthy is the ecosystem. Our property is on the border between Eastern Deciduous Forest to the south and Boreal Forest to the north; White Pines and Eastern Hemlocks are dominant on our property’s southern edge, while Hemlocks, Pine, Oak, and Maples surround the building.
STUDENT #2: American Chestnuts grow in our woods. Although devastated by a blight and almost completely wiped out in America, our Chestnut trees likely are sprouting from the roots of ancient trees that predate the trees currently growing on the land.
STUDENT #3: The white ash and black ash trees grow in the wetland corner of the School property. The emerald ash borer, a jewel beetle native to north-eastern Asia is an invasive insect that feeds on the ash species, decimating these trees. We continue to study this problem.
STUDENT #4: The mycellium network is spread throughout the entire forest, and allows the trees to communicate to each other. Mycelium breaks down organic matter to feed the fungi, plants, and other organisms and connects plants to transfer water, nitrogen, carbon, and other minerals. The strong trees share enzymes with the weaker trees, making the forest healthier.
STUDENT #5: In the circle of life, we can say
- The greater the diversity the healthier the community
- The strong help the weak
- And everyone prospers
- Chris Miller will now speak about more circles and sharing
Chris Miller then stood and spoke about circles and Polar Bears, shared images of his Sea Monsters, how they were designed, and stories of their past. He explained that Polar Bears may have lived where Maine is, but long long ago. A child spoke up and explained pangaea. Chris answered all the children’s questions. The room was silent, in awe as he spoke:
“Gather round. We are all made of the same atoms that the stars are made of too. We are parts of the universe that observe the universe. We are all living, sentient and curious together, here of all places and now of all times. What are the odds? How does it make you feel?
“This carousel is inspired by kindness, adventure, outer space, bedtime stories, dinosaurs and ice cream. It’s inspired by the Western Promenade’s endless views, spectacular sunsets and contemplative atmosphere. It spins the way that the earth spins when the sun sets, in a place where trolleys used to stop, in a small picturesque city with a school community that speaks more than sixty different languages.”
Chris shared images of circles from around the world, over hundreds of years, many people gathered together…









The Pre-K children unveiled a banner they had made:

…and then lead Peter out of the room, down the hall to his new home:



Turning 12
Posted: December 6, 2024 Filed under: Chronicles of a First Time Parent, consciousness, What is an Art Farm | Tags: coming of age rituals, consciousness, hypermasculinity, mental health, mindfulness, religion, spirituality 5 Comments
Our son turns 12 next week and I am mulling over rituals to mark this right of passage as our cherub becomes a young man.
I was raised in the Roman Catholic Church and its ritual would have been Confirmation. I have little memory of that, but it appears five hours of community service were required. I do remember wearing white, walking down the aisle and choosing Mark as my name. I chose that name to honor my best friend, who had just suffered a terrible accident in which both his arms were amputated. My choice was one of solidarity.
The Catholic tradition seems neither my nor my son’s path; I find Christian dogma limiting although Christ consciousness tremendously expansive. My faith is a work-in-progress while I am seeking alternatives for raising my son.
In the Amazon, the Satere-Mawe tribe have young men wear a glove filled with bullet ants for 10 minutes. Pushing the threshold of pain is not quite the path I seek. In Ethiopia boys jump over a cow, and in Vanuatu they jump from tall towers with vines tied to their ankles, but manliness, to my mind, is more than a measure of strength and courage.
In the Hebrew tradition the bar mitzvah marks a boy’s coming of age whereupon he begins to assume responsibility for his actions. Responsibility tied to manhood appeals to me. 13 is the age of Bar Mitzvah but to my mind, manhood is not just the number of years spent on the planet. It must be earned through understanding. This ritual, then, is about values and lessons learned.
During the summer my son and I volunteered frequently at the South Portland Food Cupboard. It was an enriching experience, and community service seems relevant in his coming of age. Construction work such as Habitat for Humanity comes to mind. I have heard of Church Youth Groups who undertake community service projects. I am looking for local possibilities.
The insights of other men should be another aspect of this plan. My nephew, my son’s cousin, did have a Bar Mitzvah and has agreed to talk with him about the experience, and his own coming of age. A philosopher/carpenter friend has offered to teach more welding, and we may join with a classmate of my son and his father, for a shared experience; working with tools in the act of making. Another friend, whose son also is the same age, is loaning us a lathe for turning wood, and that may be another opportunity for input from other men in the community. My son will benefit from hearing more than my views.
And then there is the topic of sexuality. My Father’s coming-of-age speech to me was as comic as it was lacking. It was haltingly brief, when he simply asked, “Do you have any questions?” Feeling the tension, of course I replied, “No,” whereupon he handed me a paperback book on Catholic morals. I recall the author was aghast at a recent 6th grade school field trip, where the girls wore red lipstick and hosiery. Just blame it on the girls remains the dogmatic view. What I learned of sexuality came from my older Brother and the locker room, but my son deserves better than that.
The pious among us claim that traditional morality teaches the male as the leader, with male-female relationships the only acceptable norm. I regret to inform them that history teaches otherwise. The Christian era has been relatively brief, while Ancient Greece, Rome and China openly practiced homosexuality and pederasty. LGBTQ may arguably be the historical norm and reversion to the mean would seem natural. My son will benefit from thinking not in centuries but in millenia.
The process of writing this has become the means to outline a plan. Among the core values this DIY ritual should include are:
- compassion and cooperation are keys to a healthy masculinity
- no means no, and might does not make right.
- emotional intelligence has greater value than sheer intellectual horsepower
- listen to your heart, not just your head; be curious, ask questions, follow your passion
- practical problem-solving skills provide a grounded self-confidence
- making is hard-wired in our DNA; art predates agriculture, and therefore civilization itself
- Integrity presumes courage; let your word be your bond
- energy follows thought; actions have consequences




Cupboards in Cumberland
Posted: November 29, 2024 Filed under: Permaculture & Home Renovation, Portfolio - David's work | Tags: diy, home, Home renovation, home-improvement, interior-design, kitchen 3 CommentsCumberland, Maine is bucolic, an idyll of pastoral open lands with Gothic farmhouses atop rolling hills across the horizon. The Levittown mass-produced suburbs circa 1950 passed by Cumberland, but in 2024, on the fringe of the Portland metro-area, it is a highly desirable place.
More than 21 Million people live within a half-day’s drive of Cumberland, and with Zoom telecommuting, the desire to live on the rocky coast of Maine has dramatically grown. Maine has a housing shortage: 80,000 new homes are needed by 2030 but the median income is $63,200 while the median home price is $414,000. The way of life known for generations seems no longer sustainable.
Couples from away buy homes for $3 Million and then gut and renovate at a cost upwards of $2.5 Million. Castles by the sea, monuments to themselves, grand is the vanity, employment all but guaranteed for the trades. I speak from direct personal experience.
Kitchens are the hearth of their home, and people spend upward of $3,000 per linear foot, easily more than $100,000 in total on a kitchen. I have been told of couples gutting and redoing their kitchen every four years.
Recently I was contacted by a Cumberland resident whose family has lived there for generations. The kitchen cabinets were built of pine, by his Uncle, sometime in the 1950s. They were in sturdy enough condition, and only the drawer slides were the issue. I drove north to take a look.
Arguably the cabinet repair’s cost – at 6 feet in length – was upwards of $6,000; I could have stood firm that the entire cabinet needed replacement. But I admired my Client’s frugality, which reminded me of the home where I grew up, built with cabinets of chip board and 1/2” plywood door and drawer faces; 1960-built cabinets that served seven people for 63 years. As any New England Quaker well knows, simplicity, frugality and common sense are principles to live by. So I agreed to solve the problem, rather than demolish and rebuild.
At a specialty hardware store I was able to find a replacement slide and when I returned was pleasantly surprised that the new slide was an exact match in all aspects. The entire job took 45 minutes to repair eight drawers. More importantly only 8.5 ounces of recyclable metal entered the waste stream.
If I pursued rational self interest I would have charged at least one half-day, or more; I had taken the time to drive north twice for a repair that ultimately amounted to little work. But “rational self interest” seems just a euphemism for “selfish greed” and just because the market will bear a cost does not make it right that I should charge same.
My invoice amounted to $118, parts and labor included, an almost laughable sum. Thus was saved $5,882 and I established a long-term client, a decent kind man. Fair is fair. All is well that ends well.
Volts and Arc
Posted: November 22, 2024 Filed under: Chronicles of a First Time Parent, Farming off the Farm, Little Green Thumbs, Permaculture & Home Renovation | Tags: Factory 3, line welds, MIG welding, tap welds, weld pool, welding 1 CommentRecently my son and I took a MIG Welding class. Having no experience with welding we were absolute novices, eager to go.
We took the class at Factory 3, a local makerspace that provides work studios for artists, classes for the general public, a community to local makers. A vast open space, exceptionally well appointed with tools and equipment. Beau, the teacher, was superb, answering my many questions. Quickly arcing light was in our hands! There is no looking back.
MIG welding uses an electric arc, not fire. The arc is intense, so intense that it could cause sunburn or severe damage to the eyes; to protect our skin we wore a welding jacket and long pants, to protect our eyes an auto darkening helmet.
MIG stands for Metal Inert Gas, which is a process that fuses two pieces of metal together using 240 volt electricity and a steel alloy wire with copper coating. A constant voltage power supply creates an electric arc between the base metal and a wire electrode that is continuously fed through the welding gun, into the weld pool. A ground cable was clamped to the metal work table, and then positive electricity flows from the welding gun through the table.
The metal inert gas was 75% argon and 25% C02. The gas is non-flammable and serves to create a shield around the arc, preventing oxygen and water vapor from getting into the weld pool. Water would cause rust, which would make the weld fail over time.
Our tasks were basic, a series of “tap welds,” a temporary weld to hold the two pieces in place and a “line weld” which is the continuous weld along a joint, permanently fusing the two pieces of metal together.
The one hour class opened a new world of material and technique. Project ideas came flooding in. We have two staircases that need railings. Another class seems in the offing. A local friend who welds has offered to teach us more.
New materials. New techniques. Much to be made.











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Gardens are gleaned, emptied, final cabbage harvested, Brussel Sprouts alone remain. Soon we plant garlic, for a late spring harvest. A season of abundance has come to its end. We pause now for winter.






Redemption and Return
Posted: November 8, 2024 Filed under: Art & Healing, consciousness, What is an Art Farm | Tags: alpha males, books, divine feminine, greek-mythology, Homer, hypermasculinity, Iliad, mythology, Plato, the Republic, thucydides, trojan-war 1 CommentRecently, at the Friends School of Portland, I watched a performance of the Iliad that was remarkable; horrid and harrowing, vast and engaging, a testimony to the power of theatre.
The Fig Tree Committee, a group of Quakers from Portland, Oregon presents “An Iliad” to correctional facilities and the communities that surround them. Over 3,500 people, most of whom were incarcerated, have seen the production. In the Quaker vernacular, their work is a “leading” as it “…knits together audiences on both sides of the prison walls by using one of the world’s oldest stories to examine the cycles of violence, trauma, displacement, and hope for healing that unite us all.” https://www.figtreecommittee.org/
The Iliad, central to Classical literature, stands at the apex of Epic Poetry. Homer, the bard, is said to have written the poem circa 800 BC, retelling stories from the late Bronze Age circa 1,000 BC. The story revolves around Paris, a Trojan Prince, who abducted Helen, the wife of Meneleus, the Greek King. Extraordinary was Helen’s beauty, her’s “the face that launched 1,000 ships.” The poet sagely never describes her face, leaving that to the reader’s imagination.
For 10 long years the Greeks battled the Trojans, always to a standstill, which test of endurance is indeed the stuff of legend. The story – hypermasculinity and the alpha males’ dominance – is remarkably relevant to the world today. The Access Hollywood tapes seem but a modern day retelling of Paris abducting Helen.
The Fig Tree’s production used metadrama to connect the classic to the contemporary through the epic catalog of the 1,000 ships. The bard made plain such breadth by listing the many young men killed, but from American, rather than Greek towns, including Evanston, Illinois where long ago I read the Iliad in the Greek. That catalog foreshadowed what was to come, and what is playing out in America today.
Building to the play’s climax, the bard recited a brutally long catalog of wars – Ancient Greece through Europe to modern day Middle East and Gaza – 3,000 years summarized that took us ever deeper into the maze, to face the Minotaur; not half man half beast, but rather the vain beastial side of Aristotle’s “political animal.”
The Peloponnesian War – Sparta versus Athens, 431-404 BC – centered on the issue that “might makes right.” Thucydides, the Greek Historian, in 410BC wrote, “… right, as the world goes, is only in question between equals in power, while the strong do what they can and the weak suffer what they must.” “Might makes right” is the moral antithesis of the path to compassion.
Plato, the Athenian philosopher, wrote the Republic, 375 BC, arguing that democracy was unworkable, “Until philosophers are kings, or the kings and princes of this world have the spirit and power of philosophy … cities will never have rest from their evils,—no, nor the human race, as I believe,—and then only will this our State have a possibility of life and behold the light of day.”
The polite phrase is “Philosopher King” but the literal translation is “Benevolent Dictator.” The authoritarian strongman does seem ascendant now. Many say Victor Orbán is a modern day exemplar of the Philosopher King but his is an illiberal democracy, rule by the minority not “we the people.” Might makes right remains the macho battle cry and let’s be honest: hypermasculine alpha males have run the table for more than 3,000 years.
To my mind, the deeper long-term trend is that the Divine Feminine is ascendant, while the alphas, like dinosaurs, will fight to the bottom to preserve their long enjoyed patriarchy. I speak of masculine traits, not gender, and write this not to condemn but with compassion to decry so many generations of boys raised to be men who fight more than forgive, for whom “making a killing in the market” is a red badge of courage. Radical, indeed, was the street preacher, 2000 years ago, who dared say, “the meek shall inherit the earth.”
At the end of the March from Selma, Martin Luther King stood on the steps of the Alabama State Capital, and said, “The arc of the moral universe is long, but it tends toward justice.” The Iliad tells the same story. This masterpiece of literature is ultimately a story of redemption, the release of anger and hubristic pride.
At the Iliad’s end, Achilles speaks to Priam, the last King of the Trojans, and releases to him the body of Hektor, his son, whom Achilles had slain in battle. Each having lost everything, Achilles – the greatest among the Greek heroes, which is to say the paragon of the alpha male – found within himself redemption and gave back to Priam the body of his son, to be buried, returned to his native soil.
If the greatest of Greek heroes could find forgiveness and compassion, then certainly, so too, can we the people.
Work is to be done.
Let us be about it.
Now.
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I quote here from the Richmond Lattimore translation, Prius supplicating Achilles, the response of Achilles, the anointing of Hektor’s body, and the slaying of the “gleaming sheep” for a shared meal of Thanksgiving:
“Achilleus like the gods, remember your father, one who
is of years like mine, and on the door-sill of sorrowful old age.
And they who dwell nearby encompass him and afflict him,
nor is there any to defend him against the wrath, the destruction.
Yet surely he, when he hears of you and that you are still living,
is gladdened within his heart and all his days he is hopeful
that he will see his beloved son come home from the Troad.
But for me, my destiny was evil. I have had the noblest
of sons in Troy, but I say not one of them is left to me. (24.486-94)
“So he spoke, and stirred in the other a passion of grieving
for his own father. He took the old man’s hand and pushed him
gently away, and the two remembered, as Priam sat huddled
at the feet of Achilleus and wept close for manslaughtering Hektor
and Achilleus wept now for his own father, now again
for Patroklos. The sound of their mourning moved in the house. Then
when great Achilleus had taken full satisfaction in sorrow
and the passion for it had gone from his mind and body, thereafter
he rose from his chair, and took the old man by the hand, and set him
on his feet again, in pity for the grey head and the grey beard,
and spoke to him and addressed him in winged words: ‘Ah, unlucky,
surely you have had much evil to endure in your spirit.
How could you dare to come alone to the ships of the Achaians
and before my eyes when I am one who have killed in such numbers
such brave sons of yours? The heart in you is iron. Come, then,
and sit down upon this chair, and you and I will even let
our sorrows lie still in the heart for all our grieving. There is not
any advantage to be won from grim lamentation. (24.507-24)
“Then when the serving-maids had washed the corpse and anointed it
with olive oil, they threw a fair great cloak and a tunic
about him, and Achilleus himself lifted him and laid him
on a litter, and his friends helped him lift it to the smooth-polished
mule wagon. He groaned then, and called by name on his beloved
companion: ‘Be not angry with me, Patroklos, if you discover,
though you be in the house of Hades, that I gave back great Hektor
to his loved father, for the ransom he gave me was not unworthy.
I will give you yourshare of the spoils, as much as is fitting.’
“So spoke great Achilleus and went back into the shelter
and sat down on the elaborate couch from which he had risen,
against the inward wall, and now spoke his word to Priam:
‘Your son is given back to you, aged sir, as you asked it.
He lies on a bier. When dawn shows you yourself shall see him
as you take him away. Now you and I must remember our supper. (24.587-602)
“So spoke fleet Achilleus and sprang to his feet and slaughtered
a gleaming sheep, and his friends skinned it and butchered it fairly,
and cut up the meat expertly into small pieces, and spitted them,
and roasted all carefully and took off the pieces.
Automedon took the bread and set it out on the table
in fair baskets, while Achilleus served the meats. And thereon
they put their hands to the good things that lay ready before them.
But when they had put aside their desire for eating and drinking,
Priam, son of Dardanos, gazed upon Achilleus, wondering
at his size and beauty, for he seemed like an outright vision
of gods. Achilleus in turn gazed on Dardanian Priam
and wondered, as he saw his brave looks and listened to him talking.
But when they had taken their fill of gazing one on the other,
first of the two to speak was the aged man, Priam the godlike:
‘Give me, beloved of Zeus, a place to sleep presently, so that
we may even go to bed and take the pleasure of sweet sleep.
For my eyes have not closed underneath my lids since that time
when my son lost his life beneath your hands, but always
I have been grieving and brooding over my numberless sorrows
and wallowed in the muck about my courtyard’s enclosure.
Now I have tasted food again and have let the gleaming
wine go down my throat. Before, I had tasted nothing.’
He spoke, and Achilleus ordered his serving-maids and companions
to make a bed in the porch’s shelter and to lay upon it
fine underbedding of purple, and spread blankets above it
and fleecy robes to be an over-all covering.” (24.620-646)
Like a Pearl
Posted: November 1, 2024 Filed under: Child Centered Activities, Chronicles of a First Time Parent, Farming off the Farm, What is an Art Farm | Tags: animal rescue, animals, dog, dogs, Grammy Rose Dog Rescue, pets 4 CommentsDuring the Great Plague of London, in 1655, a 22-year old named Isaac was sequestered. He used his isolation to invent “infinitesimal calculus,” the study of continual change. A remarkable achievement, hinting at great things to come from Sir Isaac Newton.
During the Covid lock down, our time of isolation, the Wentworths of Acton, Maine were sequestered and similarly productive, in an entirely different way. They used their time to construct six residential-style dog cabins, a welcome center with offices, a conference center and retail gift shop plus an Ice Cream Parlor and 18-hole Mini-Golf course.
The family has owned the land for generations, as far back as the American Revolution – their forebears served beside George Washington – and they wanted to honor the memory of their Grandmother “Grammy” Rose Kessler Wentworth. The buildings were completed over 18-months and in 2022 the Grammy Rose Dog Rescue & Sanctuary began operations. The Ice Cream and Mini-Golf generate revenues making it a self-supporting rescue center. https://grammyrose.org/
They entered adoption agreements with “kill shelters” around the country, primarily in the Deep South. There are so many stray dogs down there that the Sheriffs routinely pick them up from the side of roads and, rather than euthanize them, ship the dogs north to New England for adoption. Think of it as a modern day abolitionist above-ground railway.
We drove to Acton last Friday ostensibly “to look” at a puppy. But no one drives one hour one-way just “to look” so it was no surprise that we returned home with a 9-week old female puppy, recently arrived from Webster Parish in northwest Louisiana. The Mother was a lab-mix while the Father is unknown. She appears to have some Rhodesian Ridgeback in her.
Her adopted name was “Jayne Mansfield” honoring the 1950s “bomb shell” movie star and Playboy Playmate, whose IQ reportedly was 149, at the genius level. Hopefully our puppy was named for that trait.
We mused over names. My daughter offered Maisie, and I chimed in Mae, both of which, it turns out are derived from a Scottish Gaelic word, derived from the Ancient Greek “margarites” meaning pearl. Luminous indeed, and given her high energy, we are calling her “Crazy Maisie Mae.” She is a handful, 24/7.
Our art farm is home now to two adults, two children, two rescue dogs from the South and two rescue cats, one from Puerto Rico and the other from Oklahoma. Meanwhile, back in Acton, Grammy Rose keeps rescuing dogs, 35 having been adopted during the month of October.







Solitary Confinement
Posted: October 25, 2024 Filed under: Chronicles of a First Time Parent, Permaculture & Home Renovation, Portfolio - David's work, What is an Art Farm | Tags: american-history, Andrew Jackson, medicated worm syrup, presidents, Trail of Tears 1 CommentThe 7th and 11th Presidents of the United States were titans from Tennessee, Andrew Jackson and James Polk. Polk was a disciple of Jackson, and both fought bitterly against the Second Bank of the United States arguing that it was a capitalist monopoly favoring the Eastern states. Jackson paid off the national debt, but also instigated the “Trail of Tears” ethnic cleansing, the relocation of tens of thousands of Native Americans, forced to walk from their ancestral homelands to lands “west of the river Mississippi.” A polarizing figure, Jackson advocated for ordinary Americans and preserved the union of states, but was denigrated for his racial policies.
1830 through 1848, in South Portland, Maine, C.D.W., a carpenter, built a farmhouse with a crew of thirteen. By day, they labored cutting trees and hauling rocks, to lay the rubble foundation and hew the timbers for the post and beam home. At day’s end, they had no hot showers (indoor plumbing began in Boston 1829, only for the rich) and their food was harvested or hunted from their gardens or woods (green grocers did not become common until circa 1916). Hard were the conditions under which those workers labored.
On Labor Day 2012, we bought the house and barn that C.D.W. built, then began an energy efficient upgrade. My wife was in her third trimester, so time was of the essence. Money was tight. A permacultural builder and crew helped gut and super insulate the main house, converting from kerosene to natural gas. Short on funds, we had to tear down the barn. On Thanksgiving day we moved in, when two weeks later our son arrived into our Greek Revival New England Farmhouse. In 2017 we were fortunate to rebuild the barn, adding a second bathroom, a loft and workshop. Which left the Ell as the last remaining unfinished section.
A prudent man would have passed on the home. A rich man would have torn down the Ell. But I was short on cash and long on hope, so I bought the farm in “as-is” condition, at a foreclosure price plus 20-years’ hard labor. I have begun now, finally, restoring the Ell. Before I can do the finish work, I need to rebuild the foundation, and before that, to stabilize the floor system. This work is done in the crawlspace, which means my hard labor now is essentially solitary confinement.
To secure the floor system I need to set ten concrete pads, upon each of which a post is hammered into place to stabilize the existing 1830 floor joists, with a gusset to lock the posts and prevent movement. Building standards were vastly different then, so I have to bring all of this up to code, with 36” to 16” of working space. Each concrete pad is difficult, while several are incredibly challenging. I had two choices: either mix concrete in the crawlspace and then bucket it into location OR pull a pre-cast block, weighing 130 pounds, into a pre-dug hole. Given “pick your poison,” I chose the latter, the pre-cast.
The crawlspace is macabre and surreal. Everywhere overhead abound spider webs and carcasses, covered in a white mold/fungus on the exoskeleton. Rats have lived in that crawlspace and in the dirt lay remnants of former lives in this house: chards of broken china with pastoral scenes, an oyster shell, shoe leather, a glass bottle of “Medicated Worm Syrup” made by Hobensack’s in Philadelphia circa 1845, and two lego pieces. In 1850 the Dyer family purchased this home, where their son John was born in one of the bedrooms. If someone was born here, how many have died here, over the past 200 years?
As a boy, I watched “The Great Escape,” Steve McQueen’s 1963 action film telling the story of World War II prisoners of war, digging a tunnel to escape from Stalag Luft III, a Nazi concentration camp. In one scene, the tunnel collapses, burying the character played by Charles Bronson. Many times I have thought on that during my crawling.
Let me be clear: never would I do this as paid work-for-hire. But for my wife and children I will and I have crawled on my back and my belly, with minimal leverage, to move concrete pads into place, hammering posts, affixing gussets to make stable the floor system.
My Father, dead now 43 years, has the last laugh. So many times he said to me, “David, you can get used to hanging if you have to.” I heard that, then, as a boy, in terms of my own life. But now, as a Father, I understand that for your children you go out of your way even when that means laboring in a crawlspace among desiccated spiders, remnants of rats.
In the end, the work has been done, and I left my mark, on a beam – as did C.D.W. and crew – showing for the record that, Autumn 2024, DPM labored here, to make stable the world in which his children grow, and from which they will go forward, into the world.
















Professor Kristy Feldhousen-Giles has been most helpful with insights into the Indian Removal Act of 1830. The Nations were relocated “west of the river Mississippi” but no tribes were relocated west of the 100th meridian as that was under control of Mexico in 1830, and later under the Republic of Texas. The Battle of the Alamo was fought February through March 1836. The nationalist faction of Texans sought the expulsion of the Native Americans and the expansion of Texas to the Pacific Ocean.
Here is a map of the Indian resettlement 1830-1855 from the Historical Atlas of Oklahoma.
Here is the text of the Indian Removal Act, as authorized by the United States Congress, May 28, 1830.
Fairy Museum of Natural Wonder
Posted: October 18, 2024 Filed under: Art & Healing, Farming off the Farm, Portfolio - David's work, What is an Art Farm | Tags: art, Farmington 1 Comment
The “Farmington Fairy Museum of Natural Wonder” is a building of magical wonder and whimsy, built to the scale of a 5- or 6-year old child, coming to be, in a world of exquisite beauty and grace.
Funded by the University of Maine at Farmington’s School of Education, Early Childhood Development, the Museum will be used as part of their pre-school teacher training program. Enrolled children will curate rotating exhibits, displaying natural wonders gathered on sojourns into nature. Found items – a stick, a stone, a shell, a leaf or feather – will be placed by the children on display upon shelves nestled beside porthole windows.
The design is as complex as it is compelling. Consider these facts:
- framed as a dodecahedron, with 1/2” plywood sheathed to 2×4 studs cut at 18.5 degree angles;
- the 6″ slab foundation used 14.4 cubic feet of concrete, with rebar mesh reinforcement;
- sheathed in native-Maine Tamarack, using board on batten style;
- 31 circular windows of 5 sizes, all parts custom built; 1/2” plate glass sandwiched in “Kuwaiti plywood,” with a rubber gasket air seal then faced with 2” ribbon mahogany exterior trim, cut on the bias, grain running horizontally, so water flows away from the structure;
- a Squirrel gargoyle stands guard over the custom made, ribbon mahogany entry door
- a Basilica dome, framed by laminated plywood, covered with 480 aluminum shingles, all custom cut, bent to shape, then hand nailed into place;
- “purple martin” mini birdhouses nestled in, for good measure, among the metal shingles;
- a Cupola towers over all, covered in 31 galvanized shingles, cut from aluminum flashing;
- upon which, like a cherry on top, sets the weather vane, with mice running to and fro.
In Southern Maine, everyone, it seems is a carpenter, or a DIY warrior at the least; but few, if any, could build such a structure, let alone conceive, design, and draw same. The Museum is the brain child of Chris Miller. It has been my highest honor to assist as his mere carpenter.
Inside the Basilica dome, Chris has painted the starry night sky, and through a keyhole oculus, the golden glow of the sun lies beyond. The Vatican may have Saint Peter’s Basilica and the Sistine Chapel ceiling, but Farmington has the Fairy Museum; Bernini and Michelangelo could do no better than Miller has done.
We built the Museum at Chris’ studio in South Portland, then moved the structure 72 miles north to Farmington. Jesse Salisbury, a sculptor of large granite and hard stones, graciously helped on this task. An artist friend once said to me, “The coolest people on Earth live in Maine,” and Jesse is exhibit A of same. Jesse’s story is almost fantastical, and I speak from personal experience as my daughter and I visited his studio, when she was 5 years old.
Jesse was born Downeast, a fisherman’s son. He began carving wood while in grammar school, but then his father became the Founding Director of the Portland Fish Exchange, America’s first all-display fresh seafood auction that opened in 1986. This lead to his Father becoming the Attache for Asian Fisheries, at the USA Embassy in Tokyo, Japan. In Tokyo, Jesse attended high school and began his formal artistic training, including with traditional ceramic artists. https://www.jessesalisbury.com/
His path lead back to Steuben, Maine where he and his father built his studio by felling trees, milling them into beams, to create a 32’ x 64’ post & beam workshop with design room, stone cutting, metal forging, fabricating and equipment repair shops. As a young man he foraged rocks from the fields Downeast, hauling them in his pick-up truck, but when the scale of his work increased, he purchased used heavy equipment from Bangor Hydro, the utility generating hydroelectric power on the Penobscot River.
Jesse and his Father laid 70 feet of train tracks, so that granite slabs weighing 10-tons or more easily move through the studio, from the wire saw to its indoor and outdoor fabrication areas. Jesse has carved and transported major installations throughout Maine, the Atlantic Seacoast, and maritime Canada. His work has also been displayed in Japan, China, South Korea, Egypt, and New Zealand. In his spare time, he founded the Schoodic International Sculpture Symposium, a ten-year project which resulted in a world class collection of large granite works that make up the Maine Sculpture Trail. https://www.schoodicsculpture.org/
We made two trips north. First, Chris and I poured the dodecahedron concrete foundation, a 6” slab reinforced with rebar and anchor bolts set in the concrete. The forms, of course, were custom built. For the second trip, Jesse arrived at Chris’ studio on a Friday. His boom truck hoisted the structures easily onto his trailer. We strapped them down, then early on a Saturday morning convoyed North as misty fog hung upon the Casco Bay.
In Farmington, the sun was shining. On that idyllic September day, as crimson and golden leaves fluttered down, the installation went easily, each section stacked up, each upon the one below. A deus ex machina, indeed. The “silo” was anchored to the slab’s sill plate and the weather vane set atop the cupola.
By dusk we were gone. Chris returned later to apply finishing details.
And then, one Monday morning, children arrived at their daycare astonished to behold this creation. Like the “Night Before Christmas” I imagine they uttered, “When what to my wondering eyes should appear/But a Fairy Museum overnight landed here!!”


































Walking
Posted: October 10, 2024 Filed under: Chronicles of a First Time Parent, Farming off the Farm, What is an Art Farm | Tags: AFSP, anxiety, depression, mental health, NAMI, suicide, suicide prevention 1 Comment5 October was day 279 of 2024. Year-to-date, 274 lives have been taken by suicide in Maine.
Last Saturday, on the Eastern Prom, “we the people,” deplorables and elite gathered to meet, to give voice, to bear witness, and to walk in support of Suicide Prevention. 800 people walked 2.2 miles with the majestic Casco Bay stretched out around us.
More than $120,000 was raised. Under the name “Healing Life” our family raised $820. We are eternally grateful for the support of our family and friends. We all went the distance. We all came together. Actions speak louder than words and as a family we shall do this again, a repetitive routine exemplifying our commitment to community.
In the early hours it rained, but the sun broke through. Beads of many colors were passed out: White for loss of a child, Red for loss of a partner, Gold for loss of a parent, every color of the spectrum, every reason to support suicide prevention, even rainbow beads in support of LGBTQ. One older man wore a rainbow shirt, that read, “Be a Good Human.” So simple, yet so hard.
We worked the raffle table, which was a chance to engage with many people. One young child, age 6 perhaps, wore gold beads and a placard around their neck, bearing the single word, all caps, “DAD.” The Mother, now a widow, struggled to pay, and we helped her through the digital payment. As it turned out she won two raffle prizes.
She was one among many, all touched by the dark sceptre of death by suicide. Emotions were raw, so very hard to look life straight in the eye. But we did. We all did. And we walked in support of a cause.
The American Foundation for Suicide Prevention (AFSP) funds scientific research and public policy advocacy on a national level. AFSP Maine is one of a nationwide network of chapters, doing the grass roots work focusing on eliminating the loss of life from suicide. Members of our community were recognized, stood up, each story of loss told. It was gruesome, and yet, in our bearing witness hope was present.
In the South Portland Public Schools a Director of Mental and Behavioral Health has been hired, and people from the National Alliance of Mental Health, the CDC and AFSP are lending a hand. A team has been assembled and a community response is taking root. Our task now is that such hope is nurtured and blossoms.
I spoke to my daughter about my childhood, when shame reigned supreme, when no one would dare speak of suicide or mental health. To put this in context, I spoke of my Grandmother, whose first born child, in 1923, died of SIDS at 21 days then was told by her Doctors, “just go home and forget about it.”
As if.
Long is the road to greater acceptance, to understanding, but on 5 October, along the eastern Promenade of Maine, 800 people walked 2.2 miles.
Chairman Mao famously quoted the Taoist Master Lao Tzu, who said, in the 6th century BC, “the journey of a thousand miles begins beneath one’s feet.” Let us now stand together, let us walk and go forward, let us heal, we the people. Our childrens’ lives depend upon this simple truth.







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In our gardens, our variety of Butternut Squash has been harvested; Tomatoes produce their last; Pole Beans come in this week; Cosmos finally sings aloud in chorus; Mums reside on the entry porch.











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And tonight, in the sky overhead, the Northern Lights showered above, a heart, it seems, in the first photo. Enjoy…








































