Wicked and Wonderful Strawberry Pie
Posted: June 26, 2011 Filed under: Child Centered Activities, In the Kitchen 1 CommentBack in the corn-belt, the measure of a strong crop was corn “knee high by fourth of July.” In these parts, folks measure and mark by the ripening fruits and this is the time for strawberries. June’s full moon was, after all, the Strawberry Moon. Along the coast, the berries have come ripe and the fields opened this morning. By chance, we were the first ones to arrive and picked about 6 quarts. E ate handfuls and was very happy.
About one hour inland the berries were ripe almost two weeks ago. Farmer Martha has gone picking several times. On one trip she hauled out 48 pounds. By her permission, we are posting this recipe for a quick and easy summer treat. The strawberry filling comes from her memory, while the nut crust comes from Martha Stewart’s “Pies & Tarts.”
For the crust, preheat the oven to 350 degrees, butter a pie pan and into a food processor put:
5 oz toasted almonds
Pulse until they are finely chopped, but not to the point of almond butter. Then combine in a bowl:
2T + 2t granulated sugar
1.5 Cup All Purpose Flour
Add the flour-sugar mixture into the processor and pulse, and then pour into the processor, through the top:
½ Cup unsalted butter, melted
Pulse just until the dough comes together. Then roll out the dough, nip and tuck to fit into the buttered pan, and bake for 20 minutes or until golden brown. Remove from the oven and let it cool.
Into the cooled crust slice lots of berries, until the crust is about, say, one-half full. If you like, add in some ripe mangoes. In the processor, combine and macerate:
a good handful or two or three of fresh strawberries,
1/3 Cup granulated sugar (or to taste)
3T corn starch
Put all this into a saucepan and heat until it thickens, stirring often. Pour the macerated berries over the sliced berries and chill.
What is an Art Farm?
Posted: June 20, 2011 Filed under: Art & Healing, What is an Art Farm 2 CommentsThese days with lots of attention to localvore culture, “know your food, know your farmer,” food politics, etc, the link between art and agriculture seems less often explored, rarely celebrated. We began musing on this theme in ’01 while living on Chicago’s North Side (population density of >4,500 people per square mile) and later in ’06 when we settled in Maine (population density of 41 people per square mile). Big change in surroundings. No change in interest.
Along the way we heard about Farmer John at Angelic Organics, about the folks at the Wormfarm Institute (two sculptors who left Chicago to farm in southern Wisconsin), and the Bread & Puppet Theatre that ends each performance by sharing with the audience bread made by the cast and crew. Nance Klehm, a farmer, forager, social ecologist and good friend, in ‘08 taught a class at the UCLA School of Art on the topics of: “place and participation (or which of these bugs are edible?)/cultivating knowledge, participation, food in the age of monoculture/practical and critical processes for the hungry, lost and restless.” A Google search now brings up numerous sites under the term “art farm.”
Something is up. And still it is hard to wrap our mind around what is an art farm. More readily, we can say what it is not: neither a “get big or get out” USDA sanctioned operation, nor the world of Art as an insurable, bankable asset. But that doesn’t tell us much. Stating the affirmative, we could say this is equal parts “Cheap Art Manifesto” (see blog of 19 May) and a hands-in-the-dirt connection to the earth and ourselves.
Art-making is a behavior. Hard-wired into our DNA, it is a biological inclination. In a nutshell, this is the argument put forth by Ellen Dissanayake in her book What Is Art For?: “My own notion of art as a behavior…rests on the recognition of a fundamental behavioral tendency that I claim lies behind the arts in all their diverse and dissimilar manifestations from their remotest beginnings to the present day. It can result in artifacts and activities in people without expressed ‘aesthetic’ motivations as well as the most highly self-conscious creations of contemporary art. I call this tendency making special and claim that it is as distinguishing and universal in humankind as speech or the skillful manufacture and use of tools.”
What if art-making is not an attribute of society, but antecedent to society. Could it follow, then, that agriculture emerged as a “making special” adaptation? Are we putting the horse before the cart? These are questions we strive to grasp.
An art farm is about “place and participation” where obstacles become opportunities. We live in a rented house in South Portland, Maine. When our landlord said we could not have a garden, we made arrangements to plant a shared garden at the home where our daughter goes for day-care. And from that place we are now harvesting greens that feed our family. A few miles away, down by the Marsh, with Farmer Martha we are raising hens and, soon, broilers, and from the orchard, come autumn, again we will pick apples, press cider, make cobblers and applesauce. With a lot of sharing and creativity we are making do with what we have.
And as we go forward, we will tell the tales, share the stories and paint the pictures here at our blog, while the answers work themselves out. They always do.
Wendell Berry: “The Gift of Good Land”
Posted: June 18, 2011 Filed under: Gallery - Quotes Leave a comment“Speaking for myself, I acknowledge that the world, the weather, and the life cycle have caused me no end of trouble, and yet I look forward to putting in another forty or so years with them because they have also given me no end of pleasure and instruction. They interest me. I want to see them thrive on their own terms.”
Kitchen Herb Table
Posted: June 17, 2011 Filed under: Gallery - Visual, In the Kitchen Leave a commentLiving in small apartments, we have learned to maximize all the space available, but we still want as many plants as possible. I built this herb table in April of 2008.
David Abram, “Becoming Animal”
Posted: June 16, 2011 Filed under: Gallery - Quotes Leave a comment“The claim that we live “on earth’s surface” implies that those clouds overhead are not themselves earthly powers, that the invisible depth in which they swim is an emptiness, a void continuous with the space between the planets. If we dwell “on the earth,” then those clouds are merely part of the flotsam and jetsam of space, with only a tenuous neighborly link to the surface on which we stand.
…Unless of course, the clouds themselves are a part of the turning earth. In which case I am not really standing on the surface of this world, but am submerged within a transparent layer of this planet, an invisible stratum of the earth that extends far above those clouds….
Which indeed it is. The air is not a random bunch of gases simply drawn to the earth by the earth’s gravity, but an elixir generated by the soils, the oceans, and the numberless organisms that inhabit this world, each creature exchanging certain ingredients for others as it inhales and exhales, drinking the sunlight with our leaves or filtering the water with our gills, all of us contributing to the composition of this phantasmagoric brew, circulating it steadily between us from its substance. It is endemic to the earth as the sandstone beneath my boots. Perhaps we should add the letter i to our planet’s name and call it “Eairth,” in order to remind ourselves that the “air” is entirely a part of the eairth, and the i, the I or self, is wholly immersed in that fluid element.
The gilt-edged clouds overhead are not plunging westward as the planet rolls beneath them because they themselves are a part of the rolling Eairth. Creatures of the embracing air, of an invisible but nonetheless material layer of this planet, the clouds accompany the Eairth as it turns, their shapeshifting bodies drifting this way and that with the winds. And we, imbibing and strolling through the same air, do not then live on the eairth but in it. We are enfolded within it, permeated, carnally immersed in the depths of this breathing planet.”
Thomas Berry and The Tree of Life
Posted: June 16, 2011 Filed under: Art & Healing, Gallery - Quotes, Gallery - Visual 2 CommentsThomas Berry, in “The Dream of the Earth” wrote about “…the organic unity and creative power of the planet Earth as they are expressed in the symbol of the Great Mother, the evolutionary process through which every living form achieves its identity and its proper role in the universal drama as it is expressed in the symbol of the Great Journey; the relatedness of things in an omnicentered universe as expressed by the mandala; the sequence of moments whereby each reality fulfills its role of sacrificial disintegration in order that new and more highly differentiated forms might appear as expressed by the transformational symbols; and, finally, the symbols of a complex organism with roots, trunk, branches, and leaves, which indicate the coherence and functional efficacy of the entire organism, as expressed by the Cosmic Tree and the Tree of Life.”
A worthy example of the cosmic tree is the southern live oak, Quercus virginiana; known to live more than 1,000 years, they have a trunk circumference of 40 feet or more, and a crown spread of 90 feet or more. The Angel Oak on Johns Island, South Carolina is estimated at 1400 years of age.
A woodworker friend once told me that, by law in the State of South Carolina, when two people stand beneath a live oak and speak their love to each other, they are legally wed. The tree alone serves as their witness. Now, I cannot vouch that to be a fact, but I love the story surely as I love the trees.
These photos were taken in 2004 of the “Tree of Life” in the Audubon Park, New Orleans. The tree survived Katrina and remains strong and stout.
Adobo Pepperoni Pizza
Posted: June 15, 2011 Filed under: Farming off the Farm, In the Kitchen 2 CommentsPizza night comes often, and we created this one with various items from around the kitchen, and fresh greens from our garden! We have heard about grinding the wheat berries for making the dough, but we don’t have a food mill yet so we buy our dough pre-made. Preheat the oven to a blazing 475 degrees.
Once the dough is stretched to size, we add some Chipotle Peppers in Adobo Sauce – finely dice one of the peppers and add a bit of the sauce. This has a great smoky flavor, not too hot, and you can get it in the mexican section of the grocer.
Next put a thin layer of grated white cheese. This will melt and help the toppings adhere to the crust. Then add a layer each of sliced pepperoni (we like uncured, but any kind will do), a handful of diced celery and some thinly sliced red onion, some mushrooms (we love shitake), and tonight we added a layer of arugula and bitter greens.
Then top it with some fresh mozzarella, a bit of dried basil and some smoked paprika. Maybe a crack or two of black pepper.
Pop it into the oven for about 15 minutes, then rotate the pizza, then let it go til golden brown, about another 10 minutes.
Richard Manning: “Against The Grain”
Posted: June 12, 2011 Filed under: Gallery - Quotes Leave a comment“Archer Daniels Midland, conduit of food and images of food, with fifteen thousand owned railcars, two thousand barges, a hundred oceangoing vessels, and a leased network of five million trucks and five hundred thousand railcars moving wheat, corn and soybeans to 269 processing plants. Woven amid the rails and pipes is an integral web of effectively owned and leased politicians and news organizations.
Archer Daniels is not alone in this picture; it is just the standard-bearer. Still, the list of food processors is not terribly long. Five companies – Cargill, Incorporated; Continental Grain Co. (recently renamed ContiGroup Companies); Louis Dreyfus; Andre & Cie; and the Bunge & Born Group – control about 75 percent of the corn market. Four companies – Archer Daniels; Cargill; Bunge ; and Continental Grain – control about 80 percent of soybean processing, both in the United States and globally. A single co-op, Ag Processing Inc., accounts for another 5 to 10 percent in the United States.”
Tom Philpott: “It’s The McEconomy Stupid”
Posted: June 12, 2011 Filed under: Gallery - Quotes Leave a commentWell, I just discovered Tom Philpott blogging about food and politics over at Mother Jones.
It’s the McEconomy, Stupid — By Tom Philpott| Thu Jun. 9, 2011 10:40 AM PDT
I alluded to it in my intro post, but this is worth highlighting:
Up to 30,000 of the 54,000 jobs created in May were the result of a hiring spree by the hamburger chain, analysts at Morgan Stanley told Market Watch on Friday.
So hiring at McDonald’s accounted for about half of the nation’s job growth in May. What lessons can we draw from this? One, obviously, is that the economy is anemic and lurching toward a “double dip”—which isn’t some new dessert concoction at McDonald’s. While unemployment hovers at 9 percent, job creation has slowed to a trickle—and what jobs are on offer tend to be of the burger-flipping, minimum-wage variety. As CBS Market Watch Washington Bureau Chief Steve Goldstein put it, “There’s a case to be made for the benefit of fast-food restaurant employment, but it’s obviously not the foundation for sustained economic growth.
The second lesson is that McDonald’s itself obviously sees opportunity in this crisis. It made 25,000-30,000 net hires in just one month. That’s a pretty big bet that its “dollar menus” and other cheap calorie blasts will remain popular among a cash-strapped populace having to work ever harder to stary in place. That’s good news for Mikky D’s shareholders—and bad news for public health in a nation besieged by chronic maladies caused by an excess of low-quality calories.
Chronos
Posted: June 11, 2011 Filed under: Gallery - Visual 1 CommentIn December 2008, as part of a competition at work, I built this clock using scrap parts. I gave it to a musician friend, who named it “Chronos.”














